Lawrence Sher, cinematographer for the brand new “Joker” movie starring Joaquin Phoenix, has launched a video explaining how he makes use of hue, saturation, and lightweight to form the temper, type, and story of a movie.
Recorded along side Vanity Fair, the 15-minute clip sees Sher speaking by means of the method of coloring a movie. He begins by explaining how a crew can shoot in LOG, primarily a uncooked digital unfavorable earlier than the colour grading has occurred.
Taking pictures in LOG lets us retain a variety of coloration recorded by the sensor, which an editor of colours in put up manufacturing can grade any method they need.
He explains a number of the tips of the trade, together with utilizing complimentary colours to create a distinction that amps up the dramatic impact of a shot. Shade selections are all the time a acutely aware alternative by the cinematographer, as a way of conveying a personality’s feelings, or to control the viewers into feeling a sure method.
He additionally makes reference to Ansel Adams’ “Zone System” approach, which was a option to tackle publicity and tonality on a movie picture.
Sher’s different credit embrace “The Hangover,” “Backyard State,” and “Paul.”
Hit play on the video to see Sher speak by means of quite a few the color-related selections he made on a few of his highest-grossing movies.